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Below the viewer is a list of the speakers and the title of their presentation. The full papers prepared for the Proceedings can be downloaded here.
The Musical Soirees (Concerts) can be viewed here.
Conference Greetings can be viewed here.
Maria Hronis-Vakalopoulos: Hymnographic references to the exile of St-John Chrysostom
Dimitrios Balageorgos: Autographed codices of John Plousiadenos In the library of the Monastery of Sinai
John Michael Boyer: The transcription, adaptation and composition of traditional Byzantine chant in the English language
Ageliki Tseva: An artist’s Perspective - Byzantine Melodies and their effect on my soul
Maria Alexandru: Hryseois epesi - A stichiron in honor of St-John Chrysostom in its diachronic musical development
Evangelos Andreou: The musical byzantine "codices" of Angelos L. Voudouris: A timeline
Flora Kriticou: A method of Kalophonic Composition and Kalophonic formulae
Dimitris Karamvalis: Poetry and Music to Romanos the Melodist
Spyros Panagopoulos: Kassia: A female hymnographer of the 9th century
Grigorios Anastasiou: Orthros pasapnoaria as kalophonic compositions: Thoughts on the deliberateness of the kalophonic hymn in general
Evaggelia Spyrakou (per Flora Kriticou): The Byzantine choral system until 1204
Achilleys Chaldaiakis: Psaltic Families: The Raidestene
Arsinoi Ioannidou: The kalophonic settings of the 2nd psalm in the byzantine tradition -a report on an on-going dissertation
Georgios Hatzichronoglou: On Melodic Recitation
Stefanos Skarpellos: Melodic recitation of the epistle readings in the psaltic style of emmanuel hatzimarkos
Konstantinos Markos: Byzantine ecclesiastical music and the demotic/folk song -common features and differences
Vassilis Kafkopoulos: The Aetolian school of byzantine music and its influence on the northwestern Peloponnese
Father Konstantinos Terzopoulos: Online access to manuscripts of Byzantine chant
Michalis Stroubakis: Nicholas Docheiarites and the adaptation of Hellenic Ecclesiastic Melodies into Slavonic ecclesiastic Language
Costin Moisil: The role of nationalism in modeling the Romanian chant before World War I: ¬The case of the liturgy of St-John Chrysostom
Father Romanos (Rabih) Joubran: The use of eastern musical modes in Byzantine compositions during the 19th and 20th centuries
Maria Takala-Roszczenko: Byzantine Church music in Finland: ¬Exploring the past, envisaging the future (Part I)
Jaako Olkinuora: Byzantine Church music in Finland: ¬Exploring the past, envisaging the future (Part II)
Hilkka Seppälä: Byzantine Octoechos as the theoretical nucleus of Finnish Orthodox psalmody
John Michael Boyer: The transcription, adaptation and composition of traditional Byzantine chant in the English language
Christian Troelsgard: Papyrus Vindobonensis G. 19.934 and its musical implications
Konstantinos Karagounis: Eight musical manuscripts from the Almyrou area of the Magnisia prefecture
Rev. Vladimir Vassilik: The study of uncial Greek Triodion -palimpsestus of the IX century
Nick Giannoukakis: Metrical identity and homology between classic Greek literature and Byzantine hymns -a meta-analysis
Cenk Guray-Ali -Fuat Aydin: Byzantine music as an expression of Eastern liturgy
Christina Abdul-Karim: Using and hearing Greek Byzantine chant in contemporary compositions