CONFERENCE PAPERS
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Evangelos Andreou
The musical byzantine "codices" of Angelos L. Voudouris: A timeline
Maria Hronis-Vakalopoulos
Hymnographic references to the exile of St-John Chrysostom
Dimitrios Balageorgos
Autographed codices of John Plousiadenos In the library of the Monastery of Sinai
John Michael Boyer
The transcription, adaptation and composition of traditional Byzantine chant in the English language
Ageliki Tseva
An artist’s Perspective - Byzantine Melodies and their effect on my soul
Maria Alexandru
Hryseois epesi - A stichiron in honor of St-John Chrysostom in its diachronic musical development
Flora Kriticou
A method of Kalophonic Composition and Kalophonic formulae
Dimitris Karamvalis
Poetry and Music to Romanos the Melodist
Spyros Panagopoulos
Kassia: A female hymnographer of the 9th century
Grigorios Anastasiou
Orthros pasapnoaria as kalophonic compositions: Thoughts on the deliberateness of the kalophonic hymn in general
Evaggelia Spyrakou (per Flora Kriticou)
The Byzantine choral system until 1204
Achilleys Chaldaiakis
Psaltic Families: The Raidestene
Arsinoi Ioannidou
The kalophonic settings of the 2nd psalm in the byzantine tradition -a report on an on-going dissertation
Georgios Hatzichronoglou
On Melodic Recitation
Stefanos Skarpellos
Melodic recitation of the epistle readings in the psaltic style of Emmanuel Hatzimarkos
Konstantinos Markos
Byzantine ecclesiastical music and the demotic/folk song -common features and differences
Vassilis Kafkopoulos
The Aetolian school of byzantine music and its influence on the northwestern Peloponnese
Father Konstantinos Terzopoulos
Online access to manuscripts of Byzantine chant
Michalis Stroubakis
Nicholas Docheiarites and the adaptation of Hellenic Ecclesiastic Melodies into Slavonic ecclesiastic language
Costin Moisil
The role of nationalism in modeling the Romanian chant before World War I: The case of the liturgy of St-John Chrysostom
Father Romanos (Rabih) Joubran
The use of eastern musical modes in Byzantine compositions during the 19th and 20th centuries
Hilkka Seppälä
Byzantine Octoechos as the theoretical nucleus of Finnish Orthodox psalmody
Maria Takala-Roszczenko
Byzantine Church music in Finland: Exploring the past, envisaging the future (Part I)
Jaako Olkinuora
Byzantine Church music in Finland: Exploring the past, envisaging the future (Part II)
John Michael Boyer
The transcription, adaptation and composition of traditional Byzantine chant in the English language
Christian Troelsgard
Papyrus Vindobonensis G. 19.934 and its musical implications
Konstantinos Karagounis
Eight musical manuscripts from the Almyrou area of the Magnisia prefecture
Rev. Vladimir Vassilik
The study of uncial Greek Triodion -palimpsestus of the IX century
Nick Giannoukakis
Metrical identity and homology between classic Greek literature and Byzantine hymns -a meta-analysis
Cenk Guray-Ali -Fuat Aydin
Byzantine music as an expression of Eastern liturgy
Christina Abdul-Karim
Using and hearing Greek Byzantine chant in contemporary compositions